The room holds time

The room holds time is a sonic portrait of 11 hours in the life of a newborn — or perhaps more accurately, a meditation on the strange, suspended temporality of early motherhood. Composed using data collected from a baby tracker app over an 11-hour period, the piece maps the intimate, cyclical rituals of infant care: feeding, diaper changes, fleeting moments of wakefulness, and the deep, unpredictable swells of sleep.

Performers navigate a video score created directly from this data stream — a visual and temporal map of the baby’s day, where one hour is one minute. Players respond to the video’s cues while also interpreting fragments of written notation, creating a hybrid performance that mirrors the improvisatory, attentive labor of new motherhood.

At its heart, the piece seeks to sonically recreate that peculiar paradox of the newborn’s first weeks — when time seems to both stretch endlessly and collapse into itself. Hours blur. Repetition becomes ritual. The outside world recedes. You are suspended in a quiet, tender bubble — where everything is happening, and yet, somehow, nothing ever seems to change.